One project, six stages
Source, Art, Story, Video, Sound, Deliver. Each stage uses what the last one made.
Twenty steps in six stages take your comic to a finished film, with voices and sound. Run any step on its own, fix what it made, and run it again.
Source, Art, Story, Video, Sound, Deliver. Each stage uses what the last one made.
Every stage starts with a cheap plan step. Read its notes, fix them, then run the steps that make pictures and video.
Paint over a mistake. Crop a panel. Copy good art over bad. Say a line again. Make a shot again. The new version takes the old one's place, and you can go back.
Steps that make pictures, video or sound are billed by the minute. A failed step is billed only for the time it used.
Steps are in the order you would normally run them. a few credits steps read your files and write notes. by the minute steps make pictures, video or sound, and you pay for the minutes they take. free steps cost nothing.
Bring the comic in. Cut every page into single panels. Take the speech bubbles out.
Drop in pictures, a folder, or a comic zip. Your pages keep the order you put them in, and nothing is changed.
Reads every page: the words, what is happening, and what happens between the panels. Every later step uses these notes.
Cuts each page into its panels, in reading order. Run it on the original pages, before the bubbles come out.
Finds every speech bubble and takes it away, leaving an empty hole where the words were. If one is missed, paint over it yourself.
Repair the panels, paint them in an anime style, and make them the right shape for video.
Looks at every panel: who is in it, how it is framed, its light and colour, and what needs repair. It also skips a border or a sound effect on blank paper. One click brings it back.
Paints artwork into the holes the bubbles left, one hole at a time.
Paints every panel again in one of more than 70 looks: anime, watercolour, oil, ink, clay, manga. The light and mood stay, so a happy page stays happy in a dark style.
Panels come in every shape. Video is one shape. This adds picture around the edges until each panel fits. Your own picture stays on top, unchanged.
Read the pages as a story, then write the script your film is made from.
Reads your pages and writes what happens on each one, every line said, and who says it.
Writes a script with a time on every line. Choose narration or dialogue, and switch later without losing the timings. No pages? It writes from your prompt. No prompt? It gives you a script to write over.
Plan the shots against the story, make a clip for each shot, then improve the motion on the takes you keep.
Sees all your pictures at once. It picks the panels worth a shot, joins panels that show one moment, matches the light and colour across the film, and makes each shot as long as its line. You can change the storyboard.
Makes one clip per shot. Your picture is the first frame, so the clip starts on your artwork and the storyboard says what happens next, including action the comic never drew. Not happy? Rewrite the beat and get a new take.
Adds movement to the beats you kept. The draft keeps its timing and look, while the action gets bigger. Each result is a new file, and the film plays it.
Plan the sound, cast the voices, then read the lines, add the effects and clean it all up.
Gives every character a voice for the whole film. Fits each line to its clip and flags lines that are too long. Reads each scene's mood for the effects step.
Reads your script aloud, one file per line. Nine voices, a voice you describe in words, or a short sample you upload. Ten languages. One bad reading is one line to say again.
Makes background sound and effects that match each clip.
Cleans all the sound at once: noise out, levels matched.
Put everything together and take your film away. Made fresh every time, so it always has your newest work.
Your clips in order, trimmed and joined. Made new each time from the clips you have now.
Every voice and effect in place, balanced to one level. Play it against the picture before you render.
Joins picture and sound into one film. Add subtitles from your script, and make the picture larger for a few credits. Download the film, or the whole project as a zip.
A tool shows up only on the files it can fix. The row stays short.
The normal cursor. Use it to choose an area for the other tools.
Rubs out a bubble the studio missed. Apply saves the change as a new version. Clear selection only clears the marks.
Cut a border or a stray piece off a panel.
Paint over what is wrong and say what should be there. Only that part changes.
Copy one part of a picture over another. Free and instant.
Erased too much? Paint the part back from an earlier copy of the picture.
Try a look on one panel before you run a whole folder.
Pages, panels and art, with the right tools, notes and history.
Your script as timed lines. Rewrite, retime, reorder, and switch narration or dialogue.
Watch a clip, rewrite the beat that is wrong, and get a new take. Trim the ends.
One file per line. A bad reading is one line to say again, in the same voice.
Ask about your comic: who is in this panel, what happens on page 12, why a shot was dropped. It can set up the next step. You still press Run.
Point it at a stage and it picks the next step, runs it, checks it, and carries on. Set how many files to use. Make it stop at the end of a stage. Stop it whenever you like.
There are no locked features. Plans only change the credits you get each month, the projects you can keep open, and the people who can join.
Make an account, import a chapter, and run the cheap plan steps first.